Anna Caterina Antonacci

As one of the top sopranos of her generation Anna Caterina won prestigious prizes at competitions like the Voci Verdiane Callas and Pavarotti competitions. In recognition of her achievements she was presented with the title of 'Chevalier de L'Ordre National of the Legion d'Honneur' (the highest distinction a person can achieve) by the French Republic. She has recorded L'Alba separa dilla luce, the ombra and Donald Sulzen for Wigmore Live. The album features songs from Tosti Cilea. Anna Caterina, a distinguished member of the General Assembly of the Academicians from Santa Cecilia's panel of distinguished members, in 2021 was chosen as one of the Accademici Effettivi. Anna Caterina played the role Madame de Croissy of Poulenc's Dialogues des Carmelites to date in the 22/23 seasons of Teatro dell'Opera di Roma, in a production directed by Emma Dante. The role will be performed in the Bayerische Staatsoper's season-ending production. Anna Caterina Antonacci comes from an Italian family of sopranos. Her most well-known work is for bel-canto roles as well as Baroque. Her main focus was on singing in the Rossini Canon. She has been a mezzo soprano since several years. Anna Caterina Antonacci was born in aged 62, and her size hasn't been revealed yet. We'll update Anna Caterina Antonacci's height, weight Body Measurements Eye Color Hair Size of Color Shoe and Dress as soon as possible. She's currently in a relationship. She's never been in a relationship with any person. We don't have information on She's previous relationship or engagement. Our Database confirms that she doesn't have children. There has been a substantial growth in her net worth from 2022-2023. Anna Caterina Antonacci is now sixty-two years old. Anna Caterina Antonacci makes most of her money by performing. Anna Caterina Antonacci, born 5 April 1961 in Italy, is an soprano renowned for her roles within the Baroque and Bel Canto repertories. She sang as the Rossini Canon mezzo-soprano. Antonacci trained in Bologna and performed her first performance in the role of Rosina in 1986 at Arezzo. New York Times wrote a long profile on her in the month of March 2012.

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